Sentence examples for aesthetic limit from inspiring English sources

Or that Anderson, of all filmmakers, deserves leeway because his entire cinematic oeuvre rests on pushing stereotypes to their exaggerated aesthetic limit.

The aesthetic limits of 80s synth pop give the songs on Emotion a precision and discipline Kiss lacks.

The gilt gesso (paste used for making reliefs) facings of these chests carry the schematic style of relief sculpture beyond its normal aesthetic limits.

The loss was, in a way, liberating: Lutosławski and Panufnik carried on with increasing audacity, testing the aesthetic limits that fell into place after the Communist takeover.

Mr. Hockney said that for all of his pleasure in California, he resents the aesthetic limits placed unwittingly on him and others.

Mr. Katz, 25, is more sensitive than his peers to the aesthetic limits and possibilities of digital video and has a more poetic sense of place.

In his Michael Jackson tribute, Kenichi Ebina, a Japanese dancer based in New York, pushes Mr. Jackson's signature steps like the moonwalk and the slide to their aesthetic limits.

CÓRDOBA, SPAIN — The pop-rock music producer Roberto Azorín Durruty has always loved pushing aesthetic limits, so when he bought a 300-year-old townhouse a few blocks from the historic Mezquita mosque here in Córdoba and decided to transform it into something entirely new, this struck him as a perfectly reasonable project.

The huge carpeted platforms that Mr. Von Furstenberg described, like the conversation pits that Lucie Slesin covets, may be beyond the financial (and aesthetic) limits of typical home renovators, but even small height changes offer many of the design benefits of more ambitious construction projects.

Zinc concentration below drinking water aesthetic limits (<3.0 mg/L, ADWG) was also found to lower the monochloramine decay rate, indicating potential benefit at such levels in chloraminated distribution systems.

Robert Zwijnenberg, professor of Art History in relation to the development of Science & Technology at University Leiden, characterized Zaretsky's work in a similar vein: "By literally participating hands-on in biotechnological practice, he is able to explore and expose the ethical and aesthetic limits of this practice: the hidden desires, the concerns and the expectations" (Waag Society 2012, 11).