"aesthetic judgement" is a correct and usable phrase in written English.
It typically refers to a judgement or assessment formed regarding the look or beauty of something. For example, you might say, "My aesthetic judgement of this product is that it is attractive and sophisticated."
Meanwhile, X-Phi attacks aesthetic judgement in The British Journal of Aesthetics.
Some recent studies (e.g., by Morigi 2001) have suggested that there are insights within Bosanquet's work that warrant further investigation of idealist aesthetics, and others argue that Bosanquet's analyses of aesthetic judgement and aesthetic consciousness may plausibly bear on other fields (e.g., politics) concerning matters related to self consciousness and our relations to other persons.
With so much money involved, legal disputes invariably arise, but leaving aesthetic judgement to the judges might not be such a terrible thing.
So if the venerated chronicler of Renaissance art tells us these paintings are great, maybe we should acquiesce to our superiors in the matter of aesthetic judgement and try to find the money?
If we are capable of making an aesthetic judgement about conceptual gardens – one based on taste and emotion – I think we are getting very close to defining them as such.
A personal meditation on the postwar Liverpool of his 1950s childhood, the film is a collage of newsreel footage, video and still images of the city past and present, edited together with exacting aesthetic judgement, transfigured by Davies's musical choices and accompanied by his own ringing narration.
Second, it highlights the links between moral and aesthetic judgements.
This is a difficult genre in which to make aesthetic judgements, since one criterion would be fidelity to what the artist sees spread out before him.
Having seen it, I have some difficulty empathising with the critical frenzy, but any aesthetic judgements pale into insignificance next to one moment that both places the film on the quaking US-European faultline and instantly compromises - no, ruins - its credibility.
While the idea of Brian Sewell enthusing over stock cars is as weird as Jeremy Clarkson on, say, Poussin, Stock Car Sewell was a success because Brian did not modify his aesthetic judgements one jot when appreciating a procession of rusty hotrods and bangers.
Aesthetic properties for Zangwill are those judgments that are the subject of "verdictive aesthetic judgments" (judgements of beauty and ugliness) and "substantive aesthetic judgements" (e.g., of daintiness, elegance, delicacy, etc).
