The phrase "aesthetic fascination" is correct and usable in written English.
It can be used to describe a strong interest or attraction to beauty or artistic elements in various contexts, such as art, design, or nature.
Example: "The artist's work evokes a deep aesthetic fascination, drawing viewers into a world of color and form."
Alternatives: "artistic allure" or "visual intrigue".
Hitler's genius was to fuse German cultural nationalism with politics, allowing him to exert an aesthetic fascination on his contemporaries.
There seems to be a growing aesthetic fascination with the deterioration of objects into matter, shape into stuff, form into deformity.
Quoting Aviezer Tucker, Evans sees what-if-the-Nazis-won fiction as "aesthetic fascination with apocalyptic landscapes … like a Bosch painting".
They evoke a sense of wonderment for their aesthetic fascination if not for their seeming permanence over both cultural and physical landscapes.
During several years of interactions with forensic psychologist Chris Cowley, including face-to-face meetings, Brady told him of an "aesthetic fascination [he had] with guns", despite his never having used one to kill.
But finally letting Dix get to me pays off in aesthetic and moral fascination.
He was the restaurant – blackboard specials reflected his self-taught instinct crossed with a Japanese aesthetic and a fascination with British ingredients.
The issue of Sontag's sexuality is not nearly as riveting or potentially illuminating as the authors seem to think, but in any case it is a subject that deserves to be linked up with other aspects of her -- including the gay aesthetic underlying her fascination with camp and with issues of dominance and enslavement -- rather than mined for its salacious appeal.
Designed by nature to be the simple shrubbery that protects the cornea from dust and small particles, the humble strip of cilia has evolved into an object of sensual fascination, aesthetic peacockery and, most recently, federal concern of such magnitude that the F.D.A. and a squadron of marshals were forced to intervene.
The courtesans of the belle epoque, he observes, "offered a phantasmagoria of glamour as a commercial aesthetic of illusion and fascination".
But if Anderson's unwavering respect for his own fascinations and aesthetic impulses in every project he works on doesn't count as integrity, what does?
