The phrase "aesthetic drivers" is correct and usable in written English.
It can be used to refer to factors or elements that influence or shape aesthetic preferences or decisions in design, art, or other creative fields.
Example: "The aesthetic drivers of this project include color theory, texture, and form, which all contribute to the overall visual appeal."
Alternatives: "aesthetic influences" or "design motivators".
Thus, the presence of one or more architectural objects might have a causal effect on the genesis or character of one or more further works by dint of social utility, planning needs, or aesthetic drivers.
A resulting question is whether, and to what degree, we could or should abandon moral or aesthetic drivers in architectural design if in the future we could design architectural objects to optimize environmental factors and so meet cognitive and emotional needs, thereby enhancing an architectural object's reception but at moral or aesthetic expense.
Within its own aesthetic discourse, landscape architecture has evolved from one of scenographic intent (i.e., where the view or scene is the aesthetic driver) towards that of a systematic aesthetic based in McHargian roots (i.e., at times referred to as 'eco revelatory' in which landscape systems are the aesthetic driver) (Thayer 1998; Windhager et al. 2010; Howett 1998; McHarg and Mumford 1969 b.
There was an aesthetic and moral driver behind this sentiment: If you are an artist, make art, not instructional materials, because that is the right thing to do and that is how you reflect positively on your creator.
The question posed to the traditional ("hard") formalist is whether those properties are unique or at least dominant drivers of aesthetic properties and judgment, a question underlined by important roles of history, styles, and other contexts in our grasp of the architectural enterprise and individual architectural objects.
On a highway whose chief aesthetic feature is its featurelessness, drivers seem to long for any signs of life beyond the breakdown lane.
Four renderings, presented at a public meeting at a Christ the King High School in Queens, offer drivers a range of aesthetic options, from the grimly or primly utilitarian to the relatively fanciful.
Therefore, digital maps usually have a dominant aesthetic that serves navigation for motor drivers and makes all the maps to look the same [3].
Not every driver likes the suction-cup aesthetic of aftermarket GPS systems.
A lot of the initial design work was a nod to old school Austin vibes from the late 80's and early 90's, with Texas nostalgia as a big visual driver and a sign painter aesthetic.
The contrast between the two companies – Uber with its smooth black aspirational aesthetic and Lyft with its pink mustaches and drivers who insist on "fist-bumping" riders – is stark.
