Sentence examples for aesthetic drawing from inspiring English sources

Davy then added dust and grain to give the film an aged aesthetic, drawing inspiration from early Russian fairy tales, the works of Jan Svankmajer and Georges Méliès, as well as the short animation Flatworld.

While Anderson is known for his rigorously intellectual aesthetic, drawing on an encyclopaedic knowledge of 20th century art and British modernism to create challenging new shapes and silhouettes, here the aesthetic was playful to the point of infantile, crafted from candy-coloured patent leather and translucent rubber.

Enjoyably, despite an aesthetic drawing on Ladyhawke's idols, such as Cyndi Lauper and Stevie Nicks, there's no uneasy sense of irony to this album.

With an aesthetic drawing from Victorian-leaning steampunk styles, its architecture and immersive elements have made Dishonored one of the most anticipated titles of 2012.

In this work, we propose a new efficient circular layout algorithm capable of computing satisfied layouts for large networks with thousands of nodes in an aesthetic drawing manner.

A couple of hours later, Jason Wu's similarly prim aesthetic drew his usual bold-faced ladies like Emily Mortimer Maria Sharapovaa (sitting next to Anna Wintour), who said she likes the "formal-ness of dresses" both on and off the court; and Jessica Paré, who arrived a few minutes early with her stylist Cristina Ehrlich and popped in backstage.

This aesthetic draws from Noah Butkus' artwork for the album.

But these days, their more-for-less prices are attracting wallet-watching buyers, and their less-is-more-aesthetic is drawing fans of midcentury design.

While both dimensions of perceived aesthetic are drawn from a pool of aesthetic judgments, they are clearly distinguishable from each other.

(The distinction between internalist and externalist theories of aesthetic experience is similar, though not identical, to the distinction between phenomenal and epistemic conceptions of aesthetic experience drawn by Gary Iseminger (Iseminger 2003, 100, and Iseminger 2004, 27, 36)).

Mendelssohn's method allows him to recognize that all of our aesthetic experiences draw on a range of mental and even physical resources, and that because of this many aesthetic experiences can be understood only as "mixed" rather than simple feelings.