The phrase "aesthetic description" is correct and usable in written English.
It can be used when discussing the visual or artistic qualities of an object, scene, or piece of work, often in contexts like art criticism, literature, or design.
Example: "The author provides an aesthetic description of the landscape, painting a vivid picture of the colors and textures."
Alternatives: "artistic depiction" or "visual portrayal".
(It was released on Nonesuch, which was a subsidiary of the major label Atlantic — further evidence that "indie rock" has become an aesthetic description, and no longer has anything to do with labels).
(It was released on Nonesuch, which was a subsidiary of the major label Atlantic further evidence that "indie rock" has become an aesthetic description, and no longer has anything to do with labels).
An exemplar of the "grotesque" aesthetic (a description which only skims the surface of this important text), Berg's words are alive with the transformative processes of the organic: deterioration, deracination, alienation, compulsion.
Otherwise, the essay is an exercise in aesthetic insensibility, eschewing description of the art for aspersions, often pithy, on the artist's ethics.
As a description of aesthetic realism, of how it seeks to function, this is very fine.
Looking beyond functional beauty or more broadly, dependent beauty accounts of architecture, an inclusivist will seek the thread that ties together architectural objects with aesthetic properties of all description, be they functional, otherwise dependent, or freely (independently) endowed with beauty or other such properties.
Since the first description of aesthetic forehead augmentation with methylmethacrylate by Gonzalles-Ulloa and Stevens [ 20], several materials including titanium, polyethelene, silicone, and rib bones have been used for cranioplasties but are no longer considered.
It is perfectly summed up by Andersen's description of her aesthetic as: "a masculine attraction with feminine references".
"Evans's work is rooted in the photography of the earlier past and constitutes a reaffirmation of what has been photography's central sense of purpose and aesthetic: the precise and lucid description of significant fact".
The coevolutionary aesthetic account provides an heuristic description of the mechanism of aesthetic change in the arts.
A complete description of the aesthetic experience of red plumage would depend upon whether the red pigmentary color evolved under conditions of dietary pigment scarcity, and consequently encodes information about diet and mate quality, or under conditions of abundance and is merely beautiful in absence of encoded meaning.
