The phrase "aesthetic continuum" is correct and usable in written English.
It can be used in discussions about art, design, or philosophy to describe a range or spectrum of aesthetic experiences or values.
Example: "The artist's work reflects an aesthetic continuum that bridges traditional and contemporary styles."
Alternatives: "aesthetic spectrum" or "aesthetic range".
What it proposes is an aesthetic continuum, if you will.
Planting a bed of impatiens is a step up from putting out plastic plants, I'll grant you, but it seems to me the two acts exist on the same aesthetic continuum.
The result is a hybrid reality that has recently produced a wave of sophisticated young improvisers with well-formed ideas about composition, band cohesion and their relationship to an aesthetic continuum.
Yet on the aesthetic continuum of non-figurative painting, they are almost as dissimilar as possible.
More recently, French philospher Jacques Ranciere in books such as The Future of the Image (Verso: 2009) Dissensus: On Politics and Aesthetics (Continuum: 2010), The Emancipated Spectator (Verso: 2011), and has established the link between aesthetic practice and political action.
Gyorgy Ligeti wanted to distance himself from the "modernist aesthetic," Lukas added, but because he taught at the Darmstadt summer school in Germany, which promoted serialist composition, he is sometimes wrongly viewed as part of that continuum.
ICON uses the Standardized Continuum of Aesthetic Need (Evans and Shaw, 1987) used in the Aesthetic Component of the Index of Orthodontic Treatment Need.
Eight years on from electroclash, that psychic rift in the club-music continuum, its aesthetic and ideology finally seem to have crossed over.
He consciously distanced himself as far as possible from the mainstream of science fiction (towards which he felt "an aesthetic revulsion", expressed in "The Gernsback Continuum"), to the extent that his highest goal was to become "a minor cult figure, a sort of lesser Ballard".
As destabilizing as tropicália appeared to be at the time, it was conceived within this continuum, albeit with a markedly different aesthetic.
Finally, perhaps the deepest of Herder's criticisms of Kant is his attack upon the disinterestedness of aesthetic judgment, his insistence that there is a continuum rather than discontinuity between our responses to the agreeable, the beautiful, and the good.
