The phrase "aesthetic conclusions" is correct and usable in written English.
It can be used when discussing judgments or interpretations related to beauty, art, or design.
Example: "After analyzing the various artworks, the critics reached several aesthetic conclusions about the artist's style and technique."
Alternatives: "artistic judgments" or "beauty assessments".
A particular attention was devoted to building roofs described not only as the last defining touch given to a building, the aesthetic conclusion to a whole construction process, but also as expression and sign of a society's level of civilisation, culture and technical skill.
Moral and aesthetic discriminations "are not conclusions of reason" (T, 457).
In addition, this screening tool and the prevalence of nonacceptance must be tested with different types of patients (e.g., reconstructive and aesthetic patients) before the conclusions reached in this study can be extrapolated to other patient groups.
In conclusion, the aesthetic discomfort reflects a significant concern for patients with HOA.
In the SD and TD groups which were the experimental group, dexmedetomidine (Precedex® 100 mg/ml, Hospira, Inc., Rocky Mount, IL, USA) was administered at 0.4 μg kg−1 hr−1 after aesthetic induction until surgical conclusion [ 6].
In conclusion, the aesthetic improvements offered by the omentum flap in the treatment of Poland's syndrome enable reconstruction of the anterior axillary pillar as well as the filling in of the infraclavicular depression, providing a soft coverage system that is thick enough to conceal silicone implants used in breast reconstruction much better than all other techniques seem able to achieve.
In the next few paragraphs of the Transcendental Aesthetic, Kant reaches the famous conclusions that we can speak of space "only from the human standpoint" (A26/B42) and that space has "transcendental ideality" (A28/B44).
And how does the aesthetic of autonomy avoid the conclusion that all such pleasure is a violation of its strict requirement that we should be interested in the aesthetic object for its own sake alone?
And there's a case to be made that the inevitable conclusion of this aesthetic is an eight-day, one-album-a-night, 3D-heavy residency at Tate Modern, of which I choose to attend the second, Radio-Activity.
Goodman's takes his claims to be general and as granting the conclusion that "the aesthetic properties of a picture include not only those found by looking at it but also those the determine how it is to be looked at" (1976, 111 112).
