The phrase "aesthetic about" is correct and can be used in written English.
It is typically used to describe someone's or something's sense of style or visual appeal. Here's an example: "The architect's design was aesthetic about minimalism, using clean lines and neutral colors to create a modern and sleek look." In this sentence, "aesthetic about" is used to describe the architect's approach or focus on creating a visually pleasing and stylish design.
He has an incredible way with the things of the world, whether it's a tree or a piece of junk, and he has his own aesthetic about how it should go together.
They admit that they are subject to the whims of the clients and commercial interests that hire them, but "instead of whining about it, we developed an aesthetic about it".
Its beauty was that it was – like Claire herself – full of doubt and honesty, about its own function, its own fragmentary aesthetic, about what we mean by society, and our flailing helplessness in the face of unexpected violence.
If I felt I was being a bit too clever and aesthetic about the colors, for example, then the rule would be, 'You are not supposed to touch the color button.' So for my part, that's why my rules are changing all the time.
That severity represented an aesthetic about-face for the Seagram company, then with headquarters in the flamboyant Art Deco Chrysler Building.
The aesthetic about-turn at Gucci has seen a rival brand that once occupied completely separate aesthetic territory stage a dramatic land grab for the quirky-chic look that defines Prada.
Philosophers have concentrated both on aesthetic issues about film as an artistic medium — the philosophy of film — and questions about the philosophical content of films — films as philosophy.
The idea of "caricature" is what the witchy aesthetic is about, distilling femaleness down into opposites.
"You can post your mood board... people get a real sense of what your aesthetic is about".
Yallop's account of Murray Marks, a collector who was a friend of DG Rossetti, is about the aesthetic movement, about peacocks and blue and white china – sumptuously displayed in the current V&A exhibition of The Age of Beauty.
In the next few years, much was written about the RSC's aesthetic - about its post-Brechtian sense of realism, its cool and witty style, its post-imperial, not to say leftwing, philo-sophy.
