The phrase "aerial effect" is correct and usable in written English.
It can be used in contexts related to visual or artistic representations, such as photography, cinematography, or design, where the effect is created from above or in the air.
Example: "The aerial effect of the drone footage provided a stunning perspective of the landscape."
Alternatives: "sky effect" or "airborne effect".
As well as music and movement, expect aerial effects, animation, and puppetry too.
It too featured elaborate aerial effects and cinematic shifts of perspective, all in mechanically lavish service to an underdeveloped narrative.
How the princess actually floats is being kept secret but, like "War Horse," the show will have puppetry, animation and aerial effects.
As for the comic talents of the Flying Elvises – a group of Elvis impersonators who take Mr. Knight's character for a dive – Mr. Gabay said that they do indeed take to the air in the musical, though there was no time or money for aerial effects in the stripped-down workshop.
Battles rage, conflagrations torture the sky, explosions split the air, rifles spit, hangings hold sway, all courtesy of special effects designer Greg Meeh, fight director Steve Rankin and aerial effects designer Paul Rubin.
Robertson continues: "The wow factor comes from having five or six or seven or eight or ten laser projectors doing all these fan effects and aerial effects, making them crisscross and making pretty cool visual experiences and varying them.
"So you could put 10 or 12 of them up in a club for far less than you could a laser projector or fiber projectors". Robertson continues: "The wow factor comes from having five or six or seven or eight or ten laser projectors doing all these fan effects and aerial effects, making them crisscross and making pretty cool visual experiences and varying them.
Producer Michael Cohl, who was also a lead producer on the ill-fated, aerial-effects laden musical Spider-Man: Turn Off the Dark, declined to talk too much about the tour's financing when it was unveiled in April, but he said the new show's total costs were in the "eight figures" and that it needed to pull in "several hundred thousand dollars" each night to keep it on the road.
We insert the fragment shader between the two off-screen buffers and the default frame buffer in order to render a MR frame where the VO has a synthesized aerial perspective effect seamlessly to the natural atmospheric effect visualized on BG. Figure 6 illustrates the required parameters for the GLSL fragment shader in order to render an aerial perspective effect.
Scattering models for real scenes require parameters that guarantee a realistic result when rendering the aerial perspective effect.
