The phrase "advent of painted" is not correct and lacks clarity in written English.
It may be intended to refer to the introduction or arrival of painted objects or techniques, but it needs additional context to be meaningful.
Example: "The advent of painted art in the Renaissance transformed the way we perceive beauty and expression."
Alternatives: "arrival of painted" or "introduction of painted".
With the advent of painting probes for B. distachyon, it would be interesting and profitable to compare territorial organisation of chromosomes in the nuclei of a dicot and a monocot plant.
This medium was widely used in painting and manuscript illumination before the advent of oil paint.
It was then that, with the advent of genre painting, and its attendant embrace of everyday experience over iconography, more and more adults began to piss in images.
And then the evolution of human beings from earlier life forms, their taming of fire, the advent of cave painting, the development of agriculture and so on until, finally, we arrive, at long last, at prehistoric Jerusalem (before veering off again into various other topics).
Long and enduring, this artistic tradition encompassed the late Gothic and early Renaissance art of Northern Europe, which was rich and diverse, embracing eastern and western elements and culminating in a Gothic style softened with features from Italian art and the advent of oil painting.
But it could have been the museum's collection -- the nation's largest -- of works by William Sidney Mount, the 19th-century realist and Setauket native credited with the advent of American genre painting.
A conserved genome framework, initially concealed by inter-species karyotypic divergence, was first revealed by comparative gene mapping, but became readily apparent with the advent of comparative chromosome painting.
His very public attacks accounted in some measure for the decline of the painting's popularity; Bonheur's defenders pointed out that the picture had been painted before the advent of Muybridge's studies, and said the artistic truth of her work was more important than its scientific accuracy.
He describes cubism as being somehow an artistic response to the advent of cinema, pointing out that "a painting can't turn" and observing that "if you look closely at some of the portraits from cubism at the time, you'll find a portrait of a woman that is really a projector".
And the advent of photography freed them from the need to paint in realistic detail, proposing new ways to focus on subjects.
