Sentence examples for adjacent screen from inspiring English sources

The phrase "adjacent screen" is correct and usable in written English.
It can be used to refer to a screen that is next to or adjoining another screen, often in the context of technology or displays.
Example: "To view the additional information, please look at the adjacent screen for the details."
Alternatives: "neighboring screen" or "next screen".

Exact(9)

The jurors were then shown the videotapes while the transcribed text scrolled by on an adjacent screen.

Elaborate slide shows are produced by linking two or more projectors aimed at the same or adjacent screen areas.

It features a beautiful young woman who carries a long-stemmed flower known as a red-hot poker through the streets while the flower's red bloom is shown in close-up on an adjacent screen.

The still life, on an adjacent screen, is a nearly immobile shot of a solitary bounce board, whose steady, glaring white surface assumes an emblematic, unearthly aura, like a pure shining shield or banner.

As Miffy digs and rakes her garden soil in preparation for her carrot crop, the young reader gets the chance to mimic her actions with fingers on an adjacent screen.

To generalize, Lexis tends to add new features in the form of tabs (think "Total Litigator") while Westlaw adds them in sidebars (think "Results Plus"), to the point where once clean interfaces are now littered with disparate elements sharing adjacent screen real estate.

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Similar(51)

A Colombian artist, Óscar Muñoz, on five adjacent screens, is showing various faces drawn in watercolor, outdoors, on stone.

We watch this performance – if performance it is – twice, on two adjacent screens, the action on the righthand screen emblazoned with the word re-enactment.

He plays with sound and its relationship to images - album covers are a recurring theme - and includes his celebrated video installation, Video Quartet, using 700 musical film clips shown on four adjacent screens.

"Bonanza," conceived and staged by Berlin, a Belgian company comprising Bart Baele, Yves Degryse and Caroline Rochlitz, is a graceful documentary on five adjacent screens portraying a Colorado town with only seven residents.

A button was pressed and suddenly people appeared on two out of the three adjacent screens situated on the opposite side of the table, life-sized in high-definition with no lag, as if we were in the same room - so no movement or gesture went undetected.

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