Sentence examples for adjacent paintings from inspiring English sources

The phrase "adjacent paintings" is correct and usable in written English.
It can be used to describe paintings that are next to each other, often in a gallery or exhibition setting.
Example: "The gallery featured a series of adjacent paintings that explored the theme of nature."
Alternatives: "neighboring paintings" or "contiguous paintings".

Exact(4)

The subject, the 13-year-old Fränzi Fehrmann, was a studio favorite; she also appears in several adjacent paintings by Kirchner, including the colorful and jazzily painted "Fränzi in Front of Carved Chair".

Absorbing the two solos, with their separate rigors, felt a bit like viewing adjacent paintings by Mondrian and Miró.

Adjacent paintings by Richard Aldrich and Juan Usl?parkle on the subject of bare canvas, hard edges and green.

Adjacent paintings on the subject of privacy include less-than-reassuring remarks like "People don't understand that data is the oil of the 21st century," and "We as little brothers are the collective big brother.

Similar(56)

Palmierite is a common degradation product in Old Master paintings, often associated with degraded smalt, lakes or ultramarine in combination with lead white that is present in the same paint layer or an adjacent paint layer [8].

The first major museum exhibition focusing on Hopper's drawings and creative process, the show features many of the famed artist's paintings adjacent to the rarely seen drawings that preceded them.

Adjacent to it, four paintings hang arbitrarily on a wall.

As brilliantly colored images splashed across a 16-foot-long screen, teams of art handlers and curators were placing photographs, drawings, sculptures and paintings in adjacent galleries.

"In the Studio" places Brassaï's photographs of fellow artists adjacent to the original paintings and sculptures represented in the images, many from the the Berggruen's collection.

TRACY CHEVALIER, the author of "Girl With a Pearl Earring" and "The Lady and the Unicorn," said that most exhibitions today were old-fashioned, with their neutral walls, pre-ordained spacing between paintings and adjacent paragraphs of text.

Propped against the walls in the adjacent gallery are silk-screened paintings — digitally manipulated versions of pages from the New York Times and Wall Street Journal — overlaid with patterns of bricks.

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