The phrase "addressing objects" is correct and usable in written English.
It can be used in contexts related to programming, design, or discussions about communication and interaction with physical or digital items.
Example: "In our software, addressing objects is crucial for ensuring that each component interacts correctly with the others."
Alternatives: "referring to items" or "interacting with objects".
When the caller she was addressing objected to the usage, Schlessinger responded, "don't N.A.A.C.P. me".
There is a limited but promising literature of methods addressing object recognition in X-ray images [1, 8, 22], but the main limitation is the considerable cost of the machine and the significant amount of space it occupies which is not always available in the postal feeding lines.
When not converging on literally nothing, his pictorial schemes address objects that are either remote, like the moon, or obdurate, like the battered oak.
Current approaches that attempt to account for these influences focus on defining visual zones, but are limited because they do not directly address object size.
Yet the visual language these contemporary projects use to address object culture itself differs from, say, naturalistic arrangements of ripe fruits and fine silver by painters in 17th-century Holland.
And Brown, a student of Mitchell's, shows the child taking leave of that world at bedtime by addressing surrounding objects.
Feeds of feeds are represented in RSS and a protocol similar to OPML, and there is auto-discovery built in, RESTful URL schemas for addressing users, objects and properties and a services discovery protocol.
Dynamic address objects and address object groups can be used to configure similar groups of devices to dynamically react to flexible network environments.
Address objects are used to define IP addresses on the network segments.
Steinbach's works reach into the tradition of the readymade and found object addressing ideas of "cultural-object-as-commodity". Another room pairs a Jimmie Durham assemblage with works by David Hammons, the conceptual artist who, at times, seems to be the inheritor of the sensibilities of Marcel Duchamp, Arte Povera and the wizardry of James Lee Byars.
Brains decompose the world into discrete objects of perception, thereby facing the problem of how to segregate and selectively address similar objects that are concurrently present in a scene.
