The phrase "additional exposition" is correct and usable in written English.
It can be used when referring to extra information or clarification provided on a topic, often in academic or literary contexts.
Example: "The author included additional exposition to help readers understand the complex themes presented in the novel."
Alternatives: "further explanation" or "supplementary details".
Despite their desultory appearance, these passages are purposeful -- each amplifies the song/chapter of its title by providing additional exposition and background, with snatches of the present action that don't occur at all in the songs as they are sung.
Carter blames this on the infeasibility of showing the astronauts in the stricken shuttle, requiring additional exposition to explain their situation—something he found he could not manage "on an eight-day television budget".
Other approaches focusing on demyelination, a classical hallmark of multiple sclerosis, and its geometric effect on the additional exposition of the membrane to the surrounding medium date back to the 1970s (Waxman and Brill 1978) and have been extended to explore the effect of drug treatment on the conduction in the damaged region (Babbs and Shi 2013).
Aliquots of CTet were stored at different conditions of temperature and light exposition (Additional file 6, Table S3), and the activity was evaluated in MCF-7 at different time points (4, 8, 12, and 20 weeks and after 1 year).
Detailed information on microscopy data is given in Additional file 2. Exposition of A549 cells to 9.2 × 10 particles mL−1, corresponding to mass concentrations of 1.2 μg SiO2 mL−1 (25 nm SNPs) and 50 μg SiO2 mL−1 (85 nm SNPs), was not found to exert a detectable influence on cell morphology, regardless of the medium composition.
Later on, additional material from the exposition is developed, gradually building up towards a climax.
However, as often with Schubert, the harmonic scheme of the exposition involves additional, intermediate tonalities, which may be quite remote from the tonic-dominant axis, and sometimes imbue certain expository passages with the character of a development section.
Clear expositions, and additional references, are to be found in Troelstra's introduction to the English translation in Gödel [1990] of the original Dialectica article, and in Avigad and Feferman [1998].
In the last two sonatas, however, unlike other movements, the first ending of the exposition contains several additional bars of music, leading back to the movement's opening.
Apart from ERFs, two additional categories of TF families were significantly over represented after exposition of grapevine plantlets to both UV-B light: "WRKY TFs" (BIN 16.2.5.20), and "NAC TFs" (BIN 16.2.5.14, Tables 1 and 2, Figure 4).
In the main body of this paper, for exposition purposes, we concentrate on examples of influence networks, while in Additional file 2 we provide many examples of small reaction networks.
