The phrase "addition to jazz" is correct and usable in written English.
It can be used when discussing something that is being added or included alongside jazz, such as another genre or element of music.
Example: "In addition to jazz, the concert will feature classical and rock performances."
Alternatives: "alongside jazz" or "besides jazz".
In addition to jazz, he loved chess and crossword puzzles.
In addition to Jazz at Lincoln Center, the building will house the headquarters for AOL-Time Warner.
In addition to jazz, new commissions, and solo, chamber and concerto standards, he plays transcriptions, some of which he makes with Bill Douglas, a pianist and bassoonist whom he met when they were students at Yale.
In addition to jazz groups and country singers, the space also hosts a weekly Sunday-night service (which, with stage lighting, grand piano and band, is more performance than prayer) that will resume in September.
As a staff writer for the British weekly New Musical Express in the early 1980s, Mr. Cook wrote about a range of music in addition to jazz, a practice he continued as editor of The Wire, a magazine originally devoted to the jazz avant-garde.
Backed by smoky stylings of acoustic guitar, percussion and accordion -- a painterly evocation of backyard porch music that got as close to a backyard as Leonard Bernstein did to the barrio in "West Side Story" -- Ms. Wilson provided sultry interpretations of Neil Young, U2 and Robert Johnson, in addition to jazz standards and originals.
Together, the three theaters will represent a staggeringly large addition to live jazz in New York.
In addition to the jazz of John Coltrane and Pharoah Sanders, he was inspired by a compilation of Ethiopian music he then encountered.
During his 21 years there, in addition to the jazz musicians, his diverse deals included Willie Nelson, the Broadway and film soundtracks for "Annie" and the rock group Toto.
In addition to smoky jazz, Andrew Markus, the work's composer and sound designer, has created an atmosphere throbbing with city noise and percussive heat.
There, in addition to continuing his jazz work with Stan Kenton and others, he became an active studio musician, working on film and television soundtracks as well as record dates for Frank Sinatra, Peggy Lee, Ella Fitzgerald and numerous others.
