The phrase "adapting the classical" is correct and usable in written English.
It can be used when discussing modifications or changes made to classical works, ideas, or styles in various contexts such as literature, music, or art.
Example: "The composer is known for adapting the classical symphonies to fit modern tastes."
Alternatives: "modifying the classical" or "altering the classical".
We show that adapting the classical linear-space solutions for this problem is trivial, but the compressed-space solutions are not easy to extend.
This article discusses the Lyapunov exponent estimation of non-linear hysteretic systems by adapting the classical algorithm by Wolf and co-workers [Wolf, A., Swift, J.B., Swinney, H.L., Vastano, J.A., 1985. Determining Lyapunov exponents from a times series. Physica D 16, 285 317.].
vivo developed Narrative Exposure Therapy as a standardized short-term approach based on the principles of cognitive behavioural exposure therapy by adapting the classical form of exposure therapy to meet the needs of traumatized survivors of war and torture [ 40- 42].
We adapt the classical Arruda Boyce model to elucidate microstructural modifications of the polymer dye blend.
He admitted, based on the photos, it didn't appear the person responsible for the work had adapted the classical masterpiece to its surroundings.
Palladio adapted the classical temple front to the facades of his villas because it had the dignity suitable for an entrance.
Étienne-Maurice Falconet, (born Dec. 1, 1716, Paris died Jan . 24 , 1791Paris), sculptor who adapted the classical style of the French Baroque to an intimate and decorative Rococo ideal.
December 1, 1716 Paris, France January 24 , 1791Paris, France Étienne-Maurice Falconet, (born Dec. 1, 1716, Paris died Jan . 24 , 1791Paris) sculptor who adapted the classical style of the French Baroque to an intimate and decorative Rococo ideal.
We adapt the classical definitions of a midconvex set and a midconvex function to our setting [4].
Hence (mathcal {B}times mathbb D) is a Fatou component which is wandering, but may be recurring as well if we adapt the classical definition of recurrence.
We adapt the classical phase-plane analysis approach to account for the dynamic effects of oscillatory inputs and develop a tool, the envelope-plane diagrams, that captures the role that conductances and time scales play in amplifying the voltage response at the resonant frequency band as compared to smaller and larger frequencies.
