Sentence examples for adapted art from inspiring English sources

Exact(2)

Free, St George's Square, 01484 223200, tinyurl.com/yj9mtcc Glowmobiles New Year's Eve parade, Newcastle 31 December, 5.30pm for parade, 7.30pm for fireworks Gateshead is transformed and illuminated by the magnificent Glowmobiles parade, which includes a fire-breathing Green Goddess and musical milk float among its impressive array of specially adapted "art cars".

Interestingly, in recent years some hotels have actually adopted and adapted Art Deco concepts for their own design.

Similar(58)

Ms. Sander, who early on amassed a first-rate collection of contemporary art, has an easy way of adapting art's strategies to her own more utilitarian ends.

Adapting art viewing to contemporary demands within a rapidly changing world, deSouza outlines how art functions as politicized culture within a global industry.

The show's subtext reverted to the cantankerous Joni Mitchell again: this was the distemperate portion of her show, in which she talked about the difficulty of adapting art to business, mentioned that her heroes, Beethoven and Picasso, were troublemakers, and slipped a hostile lyric about copycat artists into her old antimusic industry song, "For the Roses".

It's been over two years since the glory days of #emojiarthistory, when the art world banded together to adapt art classics into emojis using the options available.

Adapted from "Art of the Slow Cooker," by Andrew Schloss (Chronicle, 2008).

For 30 years analytical methods based on ion beams have been progressively adapted to art and archaeological issues.

In 1988 Mr. Frears released his most widely acclaimed film, "Dangerous Liaisons," which won three Academy Awards, for best adapted screenplay, art design and costumes.

Gillot's sportive, mythological paintings, with such titles as "Feast of Pan," gained him entry to the French Royal Academy in 1715, and he then adapted his art to the fashionable tastes of the day.

The minimalists adapted abstract art to conditions of anomie in public life which had been decried in the fifties by such sociologists as David Riesman, the author of "The Lonely Crowd".

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