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Members of the MarR/SlyA family of proteins regulate a wide variety of functions including antibiotic resistance, environmental adaptation, production of antimicrobial agents and virulence factors.
Figure 1 presents a compilation of tick count data from various studies of the 1980s on adaptation, production or heterosis [see Frisch and Vercoe (1984), Frisch (1987), Frisch et al. (2000) for details of environment, breeding programmes experimental designs and various analyses of data].
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One of the future challenges for chemical engineering is the design of flexible plants allowing an adaptation of production output to market development.
(Such adaptation of production has continued and remains in practice today).
Scenic consultant, John Lee Beatty; costume consultant, Toni-Leslie James; lighting by Natasha Katz; sound by Scott Lehrer; concert adaptation, David Ives; production stage manager, Bonnie L. Becker; original orchestration, Don Walker; musical coordinator, Seymour Red Press; choreographer, Rob Ashford.
Although a number of amateur companies have tested their mettle against Edgar's eight-hour adaptation, this production will be Nickleby's first major revival in the UK.
As a narrative that sticks close to William Hauptman's original adaptation, this production is unfailingly energetic, good-tempered and sparklingly clear.
Scenic consultant, John Lee Beatty; sound by Scott Lehrer; costume consultant, Candice Donnelly; lighting by Ken Billington; concert adaptation, David Thompson; production stage manager, Karen Moore; musical coordinator, Seymour Red Press; original orchestrations, Ralph Burns; musical director, Rob Fisher, the Encores! orchestra; associate choreographer, Debra McWaters.
Set consultant, John Lee Beatty; costume consultant, William Ivey Long; lighting by Peter Kaczorowski; sound by Scott Lehrer; concert adaptation, David Ives; production stage manager, Karen Moore; original orchestration, Don Walker; musical coordinator, Seymour Red Press; associate choreographer, Joey Pizzi.
In such a framework, the main levers to improve performance are the qualitative and quantitative adaptation to production systems instead of mere cost reduction and investments in vehicle technology or infrastructures.
The current adaptation in production is reportedly only "Part One," and covers just the first 100 pages of the novel.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com