The phrase "adaptation of the input" is correct and usable in written English.
It can be used in contexts where you are discussing modifications or changes made to data or information being processed or analyzed.
Example: "The adaptation of the input is crucial for ensuring that the model can accurately interpret the data."
Alternatives: "modification of the input" or "adjustment of the input".
There have been attempts, particularly in the auditory system, to test directly the prediction that the coding of naturalistic inputs is more efficient [11] [15], and this concept of matching has been used also to predict new forms of adaptation to the input statistics [16] [21].
Table 3 EDCA function parameters AC CWmin CWmax AIFSN TXOP limit VO 1 3 2 0 VI 3 7 2 0 BE 7 255 3 0 BK 7 255 7 0. Due to the novelty and advantages of the on-the-fly adaptation of SVC, the input video is a 500 frames (17s) long SVC-encoded sequence.
6, 7 Postural balance control requires, among other things, the integration of visual, somatosensory, and vestibular inputs, as well as the adaptation of these inputs to changes in tasks and environmental context.
An alternative numerical procedure was developed by employing the aeroelastic module of NASTRAN commercial code, in which the baffle condition was sought and obtained throughout proper adaptation and tuning of the input parameters.
The coincidence detection mechanism relies on the adaptation of the auditory nerve input, so in a sense the essential mechanism for producing an onset occurs at the neurons' inputs.
If the transform parameters are discriminatively estimated using error back-propagation through the DNN, (80) could also be considered as adaptation of the DNN's input layer weights.
The adaptation in the polarity of the input signal is achieved by exploiting a sign bit in the digital part of the topology.
KA was a co-investigator on the grant, collaborated on the adaptation of the course, provided critical input on instruments and data analysis, and provided critical input into the manuscript drafts.
DM was a co-investigator on the study, collaborated on the adaptation of the course, provided critical input on instruments and data analysis, and provided critical input into the manuscript drafts.
At the heart of this is a desire to create artworks that are not fully resolved but which hold within them the possibility for evolution or adaptation, whether through the input of others, or natural forces, or both.
