Sentence examples for actors toward from inspiring English sources

By establishing deterrence, Israel led these rational actors toward peace.

Desplechin coaxed, goaded, or pressed his actors toward an edge of recklessness that at times offered gratifying distractions from the merely functional images that recorded them.

The Screen Actors Guild was under increasing pressure to resolve the strike, partly because of heightened restiveness by actors toward the union's leadership.

He did so, he said, because he plans to "cut, cut, cut" during editing, but also because he wanted to push -- "persecute" was his word -- the actors toward an almost zombielike minimalism.

I don't know what Kantorowicz thought about the cinema, but movie actors have two bodies as well, and the immortality of a youthful and perfected image lays a curse on the vulnerable and changing flesh, and pushes actors toward ever more reckless self-transformations that are self-preservations, a quest for the ideal self of a permanent youth that's more like an embalming.

Each landscape was described for land use, rural livelihoods and attitudes of social actors toward biodiversity and intensification of agriculture.

Dancers train their entire careers for technical precision, flexibility, and proper posture, so working with an actor toward a believable dance moment on a timeline that is often only hours ("Crazy Ex-Girlfriend"), weeks ("Goodbye Christopher Robin"), or months ("Red Sparrow") becomes a high-stakes part of the process.

One of the actors turned toward the wings and said imperiously: "We know the line.

Put differently, marketization moves away from a broad-based accountability on multiple fronts to multiple actors and toward more narrowly defined accountability based on market transactions.

The high resolution of movies shot on digital video is a major factor in the dissolving of forms into one another, as the changing and rapidly proliferating technology nudges filmmakers and actors alike toward a clinical ultrarealism.

But the swank is held in place by Allen's instinctive classicism: the camera that gently recedes as the actors walk toward it; the long-lasting immovable shots as people talk and talk.