The phrase "actors preferences" is not correct as it lacks an apostrophe to indicate possession.
It should be "actors' preferences." You can use it when discussing the likes or choices of multiple actors in a specific context, such as casting or performance styles.
Example: "The director took into account the actors' preferences when finalizing the script changes."
Alternatives: "preferences of the actors" or "actors' choices."
Whereas some policies permit a rather general approach that suits multiple cities (particularly with the aim of building capacities), we believe that low carbon policies in urban areas will only be successful if they are adaptive to situational contexts and reflect local actor preferences.
Actor preferences aside, the Atmos system was certainly impressive.
The relationship between actor preferences and the reference list was assessed through an analysis of their rank congruence.
Furthermore, it can be argued that it is essentially impossible to generate, with the existing actors and preferences, a globally accepted utility, which aggregates the preferences of the various actors into market preferences, while keeping their preference order, so as to achieve a market-wide acceptable and stable position.
Porn performers are coming out of the woodwork to express their preference for condom use on set, defying producers' claims that actors prefer to go without.
Indeed, depending on an IR study, the notion of pragmatism may pertain either to an actor's preferences (referring to practical rather than ideological considerations) or an actor's methods (synonymously with such words as "instrumental", "useful", "expedient").
This actor's preferences, perception, and cognition are subject to two deep social influences: (a) the social contexts to which he has become exposed and, especially, accustomed; and (b) the cultural mental models including categories, identities, narratives, and worldviews that he uses to process information.
However, it will exclude the influence of funding opportunities, will not reveal actor-specific preferences and will be limited by the constraints placed on the LOI (see below).
If the second series has a weakness, it's that Kingsley remains largely stuck on a single note of baffled bashfulness, although this may be the actor's preference, as it is the pitch he also hit in The Inbetweeners.
