Sentence examples for actors in which from inspiring English sources

Mr. Wilson is a master at evoking performances from his actors in which the essence of the character, rather than any notion of interpretation, is at the fore.

Columbus was right to shoot the movie in England, and to summon the kind of character actors in which that nation has always specialized; they are like counties, or provincial parishes, made flesh.

Jin and Rysman determined that conventions were useful for exploring price theory in two-sided markets — those that involve two (or more) groups of actors in which actors both act through an intermediary and participation of each group affects the other group.

The Polish film-maker Agnieszka Holland began her career in the 1970s working with Andrzej Wajda and Krzysztof Zanussi before making an impressive debut with Provincial Actors, in which she used a rep company and its discontents as an image of Polish life in the run-up to the creation of Solidarity.

When they got round to seeing Simon and Laura, Alan Melville's play about the tensions and sentimentalities of a marriage of actors, in which Carmichael played a frantic TV producer trying to prevent the combative pair from ruining his show, they insisted he play the same part in the film version they were planning at the time.

This was aggravated by a lack of de facto independence of stakeholders (Busuioc et al. [2011]; Makhashvili and Stephenson [2013]), who are part of a network of actors in which contributions and thus responsibility are shared.

The film, he fiercely hopes, portends a future as a serious adult actor, in which he will be free to break from his dreamboat identity.

An appeal by the actor, in which he asked for a change of venue to New York from Florida and said he should have been considered for probation, was denied in July.

At least six of the nine films in the category are real contenders, she writes, and audiences can expect difficult choices for best supporting actor (in which five previous winners have been nominated), best director and best original screenplay.

More controversial were Craig's ideas on the depersonalization of the actor into what he called the übermarionette ("super-marionette"), based on a new symbolic form of movement and gesture (not unlike that of the Asian actor) in which the actor's ego would not obtrude on the production's aesthetic concept.

Surprisingly, refreshingly, and revealingly, for a movie made by an actor in which that actor stars, it's no bravura showcase, no feast of technique or display of virtuosity; it's a calm, lyrical melodrama with an air of lightness and grace, a survivor's story.