The phrase "actors dimension" is not standard in written English and may cause confusion.
It could be used in contexts discussing the various aspects or perspectives of actors, such as in a theatrical or cinematic analysis.
Example: "In our discussion, we will explore the actors dimension, focusing on their emotional depth and character development."
Alternatives: "actors' perspective" or "actors' realm".
Support for these shifts from hierarchical to non-hierarchical governance modes centre on the argument that traditional government-based arrangements are unsuited for addressing contemporary problems, many of which have a cross-sectoral or multi-actor dimension which is difficult for hierarchies to handle.
Julian Fellowes wrote great characters, and then he let the actors add dimension to them.
The purpose of the study was to uncover how social actors advertise dimensions of their occupational identities.
Johnson strips the Broadway from "La Cage aux Folles" and gives the text, and the actors, a new dimension.
Like John Doyle, in his direction of Stephen Sondheim's "Sweeney Todd" and "Company" a few years ago, Johnson strips the Broadway from "La Cage aux Folles" and gives the text, and the actors, a new dimension.
By improving spatial dimension, actors can develop organizational capabilities to share information and increase knowledge management resulting in better interoperations within and among themselves.
In a review in The New York Times of Paul Osborn's play "On Borrowed Time" at the Hartford Stage Company in 1982, Mel Gussow wrote: "For many years, it has been clear, especially in his performances at the Long Wharf Theater, that Mr. Swetland is an unacknowledged hero of regional theater -- a quietly professional, reliable character actor who adds dimension to a play no matter how small his role".
Several actors and choice dimensions are involved in this process.
To test this hypothesis, we examine patent data and compare citation rates across proximate and distant actors on three dimensions: (1) the inventor collaboration network; (2) firm membership; and (3) geography.
Sure, good writing informs an actor when bringing dimension to complex characters, but everyone has a back story. .
