Sentence examples for actors aspects from inspiring English sources

Leigh makes unique demands on his actors, requiring them to undertake long sessions of improvisation before the script is finalised and shooting begins and, like Woody Allen, will often reveal to actors aspects of other characters' lives on a need-to-know basis.

Paradoxical and elusive, the bank robber Willie Sutton would appear to be a ready-made candidate for a smart, kaleidoscopic novel along the lines of T. Coraghessan Boyle's "Road to Wellville," Don DeLillo's "Libra" and James Ellroy's "L.A. Confidential," or even for a crafty bio­pic with the chameleonlike spirit of Todd Haynes's "I'm Not There," in which six actors play aspects of Bob Dylan.

In making use of suitable components of power theories it builds strongly upon the social relations of actors, organisational aspects and power sources, as described by Weber, Dahl, Etzioni and their adherents.

Director Mary Dore (The Good Fight: The Abraham Lincoln Brigade in the Spanish Civil War) skillfully weaves together the actions, actors and aspects of Second Wave Feminism: political struggles, the fight for economic equality, lesbian activism, issues of race, battles over health and reproductive rights, re-shaping the family and workplace.

Interviews provided how industrial actors view Swedish policy implementation processes and participatory aspects thereof.

In its small way, it is one of the most pleasing traditions of theatre, because it suggests inclusivity and live interaction between audience and actor, two aspects of theatre which set it apart from many other art forms.

Expressionist roles often required actors to express aspects of character through the use of isolated parts of the body.

Bob Dylan had a total of six actors interpret different aspects of his life, including one woman – Cate Blanchett – in 2007's I'm Not There.

Two actors play different aspects of the same boy, moving behind and in front of white gauze curtains on a stage piled high with autumn leaves.

Rachel Chavkin, the director of the forthcoming production of Natasha, Pierre, and the Great Comet of 1812, Dave Malloy's indie rock/free jazz/classical adaptation of War and Peace, has been fighting to maintain the immersive aspects – actors racing through the audience, complimentary shots of vodka to be drunk along with the cast – that made the show such a success in its earlier runs.

The strategies, power and interactions between actors are important aspects of the process of collaboration.