Sentence examples for actor technique from inspiring English sources

The phrase "actor technique" is correct and usable in written English.
It can be used when discussing methods or approaches that actors use to develop their craft or perform in a play or film.
Example: "Many actors study various actor techniques to enhance their performances and connect with their characters on a deeper level."
Alternatives: "acting method" or "performance technique".

Exact(1)

Ms. Rojo has not been regarded as much of an actor; technique, pure and classical, has been her calling card.

Similar(59)

(And in the case of Le Théâtre du Soleil, practically lived together). The precision of the actors' technique would be awe-inspiring if it were not so casually presented, with almost every performer offering vibrant details that sting with their truth.

But word of mouth, still building nicely, was enough to justify a move from the New Ambassadors to the now vacant Duke of York's, where the capacity of 630 stretched the actors' technique, and their salaries (back again to £2,000).Their pay will be stretched further when they arrive at the Golden Theatre on Broadway (capacity 800) in March 2001.

The change involves using digital techniques to compile, swap and assess lists of actors techniques that have the potential to be used more generally when people apply (or "audition") for jobs.

"The actor's technique is that personal and very private means by which you get the best out of yourself.

He enrolled in an acting school named for Michael Chekhov, the Russian émigré actor whose technique emphasized movement, improvisation and imagination.

The three foundational underpinnings of our work will be actor personalization technique, basic movement training and text analysis strategies.

In an actor's technique, there must be a grasp of an indefinable Beckettian style, for the play cannot work in a conventional, literal or motivational mode.

Brad Pitt is an excellent James, weary, lionised, disillusioned, yet with an actor's technique and a sociopath's obsession with control.

This is a classic Brechtian performance, one in which we relish the actor's technique while absorbing the points it is making.

His acting is more confident but less emphatic, and he has (temporarily, it turns out) acquired the actor's technique of making something out of terrible dialogue.

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