Sentence examples for actor preferences from inspiring English sources

Whereas some policies permit a rather general approach that suits multiple cities (particularly with the aim of building capacities), we believe that low carbon policies in urban areas will only be successful if they are adaptive to situational contexts and reflect local actor preferences.

Actor preferences aside, the Atmos system was certainly impressive.

The relationship between actor preferences and the reference list was assessed through an analysis of their rank congruence.

The precise aim of this research was to elicit actors' preferences and perceptions of ecosystem services through use of visual stimuli.

It argues that external shocks create both behavioral uncertainty, meaning that actors do not know about other actors' preferences, and policy uncertainty on the choice and consequences of policy instruments.

Indeed, depending on an IR study, the notion of pragmatism may pertain either to an actor's preferences (referring to practical rather than ideological considerations) or an actor's methods (synonymously with such words as "instrumental", "useful", "expedient").

This actor's preferences, perception, and cognition are subject to two deep social influences: (a) the social contexts to which he has become exposed and, especially, accustomed; and (b) the cultural mental models including categories, identities, narratives, and worldviews that he uses to process information.

Furthermore, it can be argued that it is essentially impossible to generate, with the existing actors and preferences, a globally accepted utility, which aggregates the preferences of the various actors into market preferences, while keeping their preference order, so as to achieve a market-wide acceptable and stable position.

If the second series has a weakness, it's that Kingsley remains largely stuck on a single note of baffled bashfulness, although this may be the actor's preference, as it is the pitch he also hit in The Inbetweeners.

But the actor's preference for characters festooned with baroque oddities is clearly in sync with the aesthetics of the filmmaker who has turned to Depp for eight projects, beginning with Edward Scissorhands in 1990.

However, it will exclude the influence of funding opportunities, will not reveal actor-specific preferences and will be limited by the constraints placed on the LOI (see below).