Sentence examples for actor perspectives from inspiring English sources

This may lead to the fact that process outcomes are valued differently from different actor perspectives.

Nonetheless, what constitutes the 'best interest' course of action from various actor perspectives varied considerably.

The workshop had the ambition to bring together a diversity of actor perspectives for exchange of knowledge and experiences, and joint understanding as a basis for future cooperation.

Key challenges do not only relate to the content of analysis, environment and health-problems, but also to the involvement of relevant actor perspectives.

Qualitative research, the main method of data collection in ANT, is generally more suited to theory development than to hypothesis testing, shifting the analytical focus to sense making activities, negotiation, differing actor perspectives and emerging effects.

The social complexity of environment and health issues was clearly illustrated during the role play, indicating the added value for policy makers to be informed not only about scientific aspects of environment and health issues, but also about social aspects from a diversity of actor perspectives.

From the actors' perspectives (and their agents) it can also be about raising their profile.

As in a sitcom, the banter tends to be filmed with three cameras at once, which eliminates the technical problem of "matching" the action if an actor does a great improv that you've filmed only in closeup — that is, of having to reshoot the improv from the other actors' perspectives to maintain the continuity of the scene.

As in a sitcom, the banter tends to be filmed with three cameras at once, which eliminates the technical problem of "matching" the action if an actor does a great improv that you've filmed only in closeup that is, of having to reshoot the improv from the other actors' perspectives to maintain the continuity of the scene.

In the last two decades scholars have gradually refined the conceptualization of the digital divide, moving from a dichotomous model mainly based on access, to a multidimensional model accounting for differences in usage levels and actors' perspectives.

What characterizes these actors' perspectives and positions with regard to handling issues related to speed limits in their region, how are possible conflicts expressed and what are the implications of such conflicts for planning and decision making?