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The actor must craft an entire performance in one take.
The actor must be over 16 years old.
A good actor must guard against public revelation, Ken Loach tells me later.
The actor must be fed and, at some point, allowed to rest.
Every actor must have a least one stirring narrative poem up her sleeve.
Some theories of acting emphasize that an actor must know his character's back story.
Also, an actor must be mindful of the whole, contextual meaning of the play.
For the star to truly shine, the character actor must be standing somewhere nearby.
The actor must have impressed Rew, an alderman, fervent anti-Tory campaigner and abolitionist.
Unlike the violinist, the actor must be both instrumentalist and instrument.
Back in 1899, Max Beerbohm described it as "a hoop through which every eminent actor must, sooner or later, jump".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com