We suggest that the respondents' inability to identify a single key actor indicates that the interdisciplinary discourse facilitated can itself be understood as a key factor driving improvement.
For the SNA in this paper, we used primarily reciprocated collaborative ties, meaning that both actors indicated that they collaborated.
The interviews with the different actors indicated that three main cultural practices were observed: populations grown on small (1 10 m), medium (10 100 m), or large (>100 m) plots.
The untrustworthy actions were the least accurately identified, perhaps reflecting the difficulty for actors to portray this particular trait; several of the actors indicated that indeed this was the case.
Regional actors indicated that local public health and health promotion professionals prefer knowledge products based on best principles, rather than the available knowledge products with predetermined implementation plans that are prescriptive in nature, often offered by research and training institutes.
Media actors indicated that trust with the public is facilitated through the application of journalistic norms including responsibility in reporting, accuracy, fair and balanced reporting and not overstating or understating the risks.
Although actors indicated that input and connections could be improved, almost all relevant actors from the seven neighbourhoods felt that the collaboration initiated through the process should be continued in order to realise the aims and actions (associated with the themes) in the neighbourhood.
Several actors are composed into a network, a graph-like structure (often referred to as a model) in which output ports of actors are connected (typically with FIFO buffers) to input ports of the same or other actors, indicating that tokens produced at those output ports are to be sent to the corresponding input ports.
The mean value of 3.64 for public actors indicates that on average public actors are actively implementing about four of these functions in each country.
Yet his crassness can seem nearly attractive, given the tang of Zabka's dry delivery, and because the actor has always indicated that Johnny was both a bully and a victim an innocent pit bull trained in malice by a rabid master, his sensei.
