The phrase "actor in the development" is correct and usable in written English.
It can be used to refer to a person or entity that plays a significant role in the process of development, whether in a project, organization, or social context.
Example: "As an actor in the development of sustainable energy solutions, the company has made significant contributions to reducing carbon emissions."
Alternatives: "participant in the development" or "contributor to the development".
We propose that this scenario is largely due to a renewed presence of the state as a central actor in the development process, with strategic guidance and public spending in infrastructure, education, and health, as well as redistributive policies such as the Bolsa Familia in Brazil.
The first one being who was the driving actor in the development of the local initiative?
The endothelium seems to be a central actor in the development of organ failure in sepsis and secondary ischemia after acute brain injury, as illustrated here for SAH and TBI.
According to the amyloid cascade hypothesis, Aβ is a main actor in the development of the AD by forming oligomers and fibrils consecutively leading to the deposition of plaques.
It is a both a non-traditional, non-statist actor in the development field bringing together a wide-range of actors that often sit on opposite sides of the table; for example civil society and the private sector.
They also provide unparalleled opportunities to deliver social impact and economic returns to millions of people in developing countries, while engaging new actors in the development process.
Participation by those involved in the design and implementation of an initiative is encouraged, and it demands accountability from all actors in the development process.
Together, these institutions lend to most of the world's poor countries and are influential actors in the development of these states.
Nwabueze said that her research — including the interviews she videotaped in Ghana — supported the actors in the development of their characters and informed the set, costume and lighting design by New York professionals You-Shin Chen, Ntokozo Kunene and Alex Mannix, respectively.
This paper investigates the influence of these international actors in the development process of the ILCC and their benefits in the long run, through knowledge transfer and accumulation of resource.
For us, long-term success is built on a foundation of strong partnerships and the continuation of engaging new actors in the development discussion.
