The phrase "actor dimension" is correct and usable in written English.
It can be used in contexts related to performance, film, or theater, often referring to the various aspects or characteristics of an actor's role or performance.
Example: "In analyzing the film, we must consider the actor dimension, as it greatly influences the audience's perception of the characters."
Alternatives: "performance aspect" or "role characteristic".
Support for these shifts from hierarchical to non-hierarchical governance modes centre on the argument that traditional government-based arrangements are unsuited for addressing contemporary problems, many of which have a cross-sectoral or multi-actor dimension which is difficult for hierarchies to handle.
Under the Actors dimension, the negative attitudes of the medical group towards the future expansion of midwives' competencies should be taken into consideration as it has been highlighted in many studies [ 36, 37].
Julian Fellowes wrote great characters, and then he let the actors add dimension to them.
The purpose of the study was to uncover how social actors advertise dimensions of their occupational identities.
In a review in The New York Times of Paul Osborn's play "On Borrowed Time" at the Hartford Stage Company in 1982, Mel Gussow wrote: "For many years, it has been clear, especially in his performances at the Long Wharf Theater, that Mr. Swetland is an unacknowledged hero of regional theater -- a quietly professional, reliable character actor who adds dimension to a play no matter how small his role".
Sure, good writing informs an actor when bringing dimension to complex characters, but everyone has a back story. .
"I'm a comedian, I would have gotten one or two more laughs, but Jesse is an actor with real dimension, he made the whole thing much more complex and touching". Talk turns then to "Midnight In Paris," in Allen's words "an overwhelming success by my meager standards," and how no one saw it coming.
Johnson strips the Broadway from "La Cage aux Folles" and gives the text, and the actors, a new dimension.
By improving spatial dimension, actors can develop organizational capabilities to share information and increase knowledge management resulting in better interoperations within and among themselves.
Like John Doyle, in his direction of Stephen Sondheim's "Sweeney Todd" and "Company" a few years ago, Johnson strips the Broadway from "La Cage aux Folles" and gives the text, and the actors, a new dimension.
Reporting emerges as a mere actor, while new dimensions of safety drivers emerge from the study: safety also comes from a value contribution focus, a decentralized safety management approach, the centrality of reporting in a safety management system and the dependency on engaged relationships.
