'active audiences' is correct and usable in written English.
You can use it when you are talking about audiences who are engaged and involved in a performance, lecture, or other event. For example: The performance was greatly enhanced by the active audience, who cheered and applauded enthusiastically.
And they are our most active audiences," he said.
Salesforce is also enabling advertisers to do more with that data, specifically by integrating its Active Audiences targeting with a number of display ad networks, including LiveRamp, Live Intent Neustar and Viant.
It's adding new features to its Journey Builder, a drag-and-drop tool for managing customer interactions, and to Active Audiences, which connects customer data to online ad campaigns.
This includes methods of analyzing television texts; theories about active audiences, networks, and the televisual apparatus; an interdisciplinary commitment to studying the intersections among texts, institutions, and audiences; and a belief in the contingency of meaning, social power, and popular resistance.
To borrow from the ideals of filmmaker Garcia Espinoza, 'any attempt to match the perfection of commercial journalism contradicts the implicit objective of a revolutionary journalism - that is, the call for an active and participatory audience.' I can only add that active audiences are not only the goal of a democratic media system but the means to it as well.
It is the undoing of opera, an art form in which a present, active audience is fundamental.
A music-orientated social network is a great idea because Apple has a captive and very active audience among its iTunes user base.
Astounding Wonder explores science fiction's emergence in the era's "pulps," colorful magazines that shouted from the newsstands, attracting an extraordinarily loyal and active audience.
Speak to any of the journalists working for Iranian community press in Australia, and they'll tell you the immense difficulty in reporting neutrally for a politically aware and active audience.
I got overwhelmed doing some of the things we were doing and having such an active audience at all times, even though I knew at heart we were super-safe".
She's interested in creating a theatrical framework which is solid, closed and authored enough to remain constantly interesting, but which is simultaneously open enough to genuinely respond to the active audience within it.
