The phrase "actions and expressions" is correct and usable in written English.
It can be used when discussing behaviors, gestures, or verbal communications that convey meaning or emotion.
Example: "In the study of nonverbal communication, both actions and expressions play a crucial role in conveying feelings."
Alternatives: "behaviors and gestures" or "deeds and sentiments".
Your social cognitions are similarly aided by specialized neurons that reflect facial expressions, gestures, and other signals, and develop your ability to read other people's actions and expressions by matching them with internal representations you have acquired.
When portraits and conversation pieces failed to bring in sufficient cash, Hogarth decided, he said, to "turn my thoughts to a still more new way of proceeding, viz painting and engraving modern moral Subjects, a Field unbroken up in any Country or any age... my Picture was my stage and men and women my actors who were by Means of certain Actions and expressions to exhibit a dumb shew".
If you spend a lot of time around certain teachers at school, it is the perfect opportunity to watch their unique actions and expressions.
That is, they need to behave consistently with the standards set forth and actively support those standards verbally, combining actions and expressions to reinforce the desired actions.
Certainly Gilbert's examples show that actions and expressions of emotion often function as a way to convince an audience of a particular point of view.
Personality and mood use findings in behavioral psychology to relate the perception of personality types and emotional states to the facial actions and expressions through two-dimensional models for personality and emotion.
By the time of that last visit, Obama had begun to question whether any of the speeches, calls to action and expressions of grief had changed the way anyone looked at the problem.
The Adventures of Tintin: The Secret of the Unicorn Comic Book Among the appealing elements of the Tintin books are how action and expressions are evoked in each drawing.
The former is a musical turn; the latter, in which action and expression are at ironic odds, is musical theatre.
In this sense Qwabe's invocation of "violence" exemplifies an intellectual and generational shift away from objective principles of action and expression towards subjective notions of interpretation and feelings.
In this context, it might be better applied to, say, Garry Winogrand or Joel Meyerowitz, photographers who pounded the streets in search of the right convergence of light, action and expression rather than patterns and geometry.
