The phrase "action theme" is correct and usable in written English.
It can be used to describe a central idea or motif in a narrative, particularly in the context of storytelling, film, or video games that involves action elements.
Example: "The action theme of the movie revolves around the hero's quest to save the world from impending doom."
Alternatives: "action motif" or "action narrative".
Each of this season's blockbuster movie franchises -- Harry Potter, James Bond, J. R. R. Tolkien -- is spawning a video game, as is nearly every other movie with a plausible action theme.
Speaking of which, American singer-songwriter Shawn Phillips never got a penny from the World In Action theme which, he claims, was improvised by him and Mick Weaver and recorded in one take on the spot.
I wasn't the biggest fan of "Inception," partly because I wanted even more enigmatic excess, but it did achieve the kind of layering of action, theme and emotion that Andy and Lana Wachowski (along with Tom Tykwer) strive for in "Cloud Atlas" (and that the Wachowskis managed with greater success in "The Matrix").
The first priority action theme of understanding disaster risk was addressed by four groups and their discussions are summarized in the following three subsections.
Composed of a piano, timpani percussion, and brass, the theme builds until it is interrupted by the action theme as Data opens fire.
The film's climax is scored with the action theme, which is balanced with "sense of wonder" music similar to cues from The Motion Picture.
From the workshop participants, six major action themes emerged to address these.
The lyricism relates more to the song's title than Bond action themes, with frontman Thom Yorke opening in his trademark falsetto, "I'm lost / I'm a ghost / Dispossessed".
The classical Sanskrit drama was heroic comedy high poetry, noble action, themes almost always taken from the myths a serious, religiously conceived drama, yet in the "comic" pattern, which is not a complete organic development reaching a foregone, inevitable conclusion, but is episodic, restoring a lost balance, and implying a new future.
Topics sit within the four Sendai Framework priorities of action themes of Understanding, Governance, Resilience, and Recovery in order to achieve the expected outcomes and actions for the delivery of the Sendai Framework.
The tracks were composed by Yoko Shimomura and Noriko Matsueda; Shimomura penned the action themes while Matsueda handled the calmer tracks.
