The phrase "action narrative" is correct and usable in written English.
It can be used to describe a story or account that emphasizes action and events, often found in literature, film, or video games.
Example: "The film's action narrative kept the audience on the edge of their seats with its thrilling chase scenes and explosive confrontations."
Alternatives: "action storyline" or "action plot".
As a consequence, it has become difficult for filmmakers to make midlevel studio movies for adults who value thought over action, narrative ambiguity over blunt spectacle.
Christian Bale is reliably mesmerising as the increasingly emaciated Dengler, whose survival against the odds provides Herzog with a boys'-own action narrative interspersed with moments of 'ecstatic truth'.
In fact, although the strength of his stories and characters seem to make the playwright a good choice for dance, in practice those few ballets based on his other plays have often foundered on dance's difficulty with translating thought into action; narrative alone is not enough to sweep the audience along in these plays.
"The material will make for an incredible live action narrative". The Catcher in the Rye is Salinger's only published novel.
As our colleagues Simon Romero and William Neuman reported last month, Ninja, "a Portuguese acronym for Independent Journalism and Action Narratives, has been circulating through the streets with smartphones, cameras and a generator held in a supermarket cart — a makeshift, roving production studio".
One group, called N.I.N.J.A., a Portuguese acronym for Independent Journalism and Action Narratives, has been circulating through the streets with smartphones, cameras and a generator held in a supermarket cart — a makeshift, roving production studio.
It has a few imperfections in which parasite logic was sacrificed for horror-action narrative.
Live-action narrative was a problem, not only because of the production costs, but because camera noise meant dialogue had to be post-synced.
With minimal dialogue and little exposition, Hulsing manages to elevate the more banal actions with vibrant, revealing animation to create something almost more real than a simple live-action narrative.
To meet the real social, ecological, economic and technical-infrastructural challenges we face, we need to scale up those actions, narratives and visions that are seeds of a positive future.
There is no repetition of action, the narrative being unfolded with admirable skill.
