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LONG BRANCH - TWENTY minutes into "Beyond Gravity," you realize that the supposedly loving couple at the play's center is so out of sync that one of two things must be true: either you are witness to some decidedly bad acting or writing (or both), or something in this pair's academic Eden is not as it seems.
With a few exceptions, most of those look like they were shot by students as class projects, and most of the dialogue and acting in them is decidedly uninspired.
In fact, Bud's way of creating the experience was decidedly anti-social — acting like the drunk guy who all of a sudden thinks he owns the bar.
But with a guest list of 600 that included Bono, and with Mr. Branson acting as best man, the event was decidedly higher profile.
In fact, "Push, Nevada" is intriguing because of some decidedly ungimmicky elements: things like writing, acting and a style reminiscent of "Twin Peaks".
The final hour of the final play, Antony and Cleopatra, is about as good as theatre gets; combining astonishingly inventive stagecraft with glorious acting, raw as an open wound, totally invested and decidedly unpretty.
It's not just her acting, it's the consistent integrity with which she behaves as a female star in the decidedly male world of Hollywood.
It is decidedly non-trivial for a company in a non-tech traditional industry to start thinking and acting like a software company.
Enough acting.
Hammy acting?
Not acting.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com