Sentence examples for acoustics created from inspiring English sources

The aching spectacle and the acoustics created by mobs are too horrific to describe in detail.

The clear-voiced tenor John Tiranno performed two unaccompanied Coptic chants, "Tenen" and "Aspasmos Adam," in which the acoustics created mesmerizing textures, suspending one note in space so that the following quick flourishes seemed to wind around it.

Not only has the company made many of its stores feel like gathering places, but the bright lights and equally bright acoustics create a buzz that makes customers feel more like they are at an event than a retail store.

To illustrate the approach, the inversion of an acoustic field created by the superposition of a discrete number of propagating noisy acoustic sources is considered.

In such a resonant acoustic this created deliciously extended pauses, creating lacunae in the text that nothing stepped in to fill.

Can the sense of acoustic intimacy created by a fine concert hall be measured in how many milliseconds it takes sound waves to ricochet from the walls and balconies and reach a listener in the seats?

Somehow, Converse had become a master of the acoustic guitar, created a complicated and unique fingerpicking style, developed a keen understanding of harmony and complex chord voicings, and become conversant (bordering on virtuosic) in the stylistic hallmarks of rural blues, country, gospel, folk, pop, jazz, hillbilly, parlor songs, and early jazz.

These configurations are referred as MSN+C50HLDA, where N represents the number of acoustic models created.

The advancing needle could be detected from local tissue movement, direct visualisation of the needle itself and by detection of the acoustic shadow created by the needle (see Fig. 2).

This review highlights the use of passive measurement of acoustic emissions created by a process as a potentially non-invasive, real-time monitoring technique to be used in process control.

The 3D geometrical acoustic model created for this purpose is tuned by adjusting the absorption and scattering coefficients of the convex reflector ceiling of the auditorium through an iterative process aimed at rendering differences between simulated and measured values for reverberation time in each octave frequency band lower than 5%.