The phrase "acoustic room" is correct and usable in written English.
It can be used to refer to a room designed for optimal sound quality, often used for music recording, practice, or listening.
Example: "The band spent hours rehearsing in the acoustic room to ensure their sound was perfect for the upcoming concert."
Alternatives: "soundproof room" or "audio room".
All the main acoustic room criteria have been extracted and commented taking into account the peculiarity of the Wagnerian opera.
Results for two groups of five participants showed that interactive exploration of virtual acoustic room simulations can provide sufficient information for the construction of coherent spatial mental maps, although some variations were found between the two environments tested in the experiments.
Unfortunately, in order to work reasonably well in a reverberant environment, these techniques usually require knowing the impulse responses of the acoustic room or their relative ratios.
An acoustic room environment is simulated using an FIR filter of length N f, where as per conventional approaches, filter coefficients during the flat delay portion are assumed to be zero.
The noise corrupted far-end signal (s2(n)+v2(n)) is played through a loudspeaker at the near-end acoustic room environment and the echo signal x2(n) is generated.
where s(n−k0)=[s(n−k0−1),s(n−k0−2),…,s(n−k0−p)] T and v(n−k0)=[v(n−k0−1),v(n−k0−2),…,v(n−k0−p)] T with k0 being a predefined flat delay and a n =[a n (1),a n (2),…,a n (p)] T consists of the coefficients corresponding to the acoustic room transfer function A z).
While employed as a research engineer for Bell Telephone Laboratories in Murray Hill, N.J., he helped develop a talking typewriter and wrote papers on room acoustics, sound absorption and acoustic impedance.
In [13], approximately 1000 speakers were selected and recordings were made, including in an acoustics room, with noise, and with varying microphone distance.
To predict acoustics of rooms using computer programs based on geometrical assumptions, it is important that scattering is included in the calculations.
The acoustic conditions (room sizes and speaker-microphone distances) are according to Section 5.1.
Any live musician will tell you that good sound is essential for a performance, and will likely have stories of awful acoustics, echoey rooms, and uncooperative sound guys.
