The phrase "acoustic context" is correct and usable in written English.
It can be used when discussing the sound environment or auditory conditions in which an event occurs or a piece of music is performed.
Example: "The acoustic context of the concert hall greatly enhances the overall listening experience for the audience."
Alternatives: "sound environment" or "auditory setting".
Final DDs were hence acoustically even more similar to the preceding acoustic context than final tonic chords were.
Goodwin experiments with ambient sound or acoustic context for recording his poems, many of which reference fairytales, or furry tales as the poet calls them.
In addition, the numerical experiment described here gives a good illustration of the basic phenomenon of Anderson localization in an acoustic context.
Applications include virtual acoustic reconstruction of inaccessible or demolished site structures, and auralizations of hypothesized architectural forms, allowing any desired sound sample to be "played back" in the modeled acoustic context.
"These acoustic models have the ability to model a large amount of acoustic context".
Acoustic features can include not only local features but also acoustic context.
The input vector is a concatenation of selective speech frames spatially from different microphones and temporally from various acoustic contexts in different microphones.
In the training stage, the utterance-based speech frames spatially from different microphones and temporally from various acoustic contexts in different microphones were concatenated by the optimal temporal and spatial contexts, as shown in Table 2.
In DNNSpatial, the input vector is a concatenation of speech frames selected temporally (d i ) and spatially (i) from various acoustic contexts in different microphones, and thus there are different possible combinations of temporal and spatial features.
Furthermore, in the acoustics context, it is a more appropriate indicator than other, more abstract, candidates.
The main disadvantage to comparing language and music processing by testing perception of speech and musical excerpts is that the acoustic properties, context, and secondary associations (e.g., musical style or linguistic pragmatics) between even the most carefully controlled stimuli may vary greatly between the two domains.
