The phrase "acknowledging both the" is correct and usable in written English.
You can use it when you want to recognize or validate two different aspects or perspectives in a discussion or argument.
Example: "In our analysis, we are acknowledging both the benefits and drawbacks of the proposed policy."
Alternatives: "recognizing both the" or "considering both the".
"This narrative is not a true account," heralds the opening title card, acknowledging both the manufacture of Mr. Auder's contemporary persona as well as the inescapable subjectivity of his documentary narrative.
On Monday, Boone Isaacs released a statement pledging to continue her efforts to make the Academy's membership more representative and relevant, and acknowledging both the talent of this year's acting nominees and her frustration over their monochrome nature.
Michael Moore's exasperating blend of serious reportage and grandstanding rhetoric is receiving an unusually fast DVD debut a mere four months after its theatrical release, acknowledging both the film's relevance to the election and its limited shelf life.
It's as if Sherman is acknowledging both the glamour of fashion and its ability to confer identity and confidence, and the Zoolander-esque comedy of being really, really good-looking at any cost.
Mr. Jacobs has pointedly subtitled his work "The Lost World," acknowledging both the character of its content — images of a vanished culture — and its relationship to a nearly obsolete technology.
To demand moral perfection or to succumb in the face of seeming futility is to turn our backs on what can be achieved by acknowledging both the ideal and the limits of reality.
Consequently, I would encourage media presentations that acknowledge both the emotions and the facts.
"Beautiful People," which takes place in 1993, acknowledges both the fundamental ridiculousness of the Bosnian civil war and its unassimilable horror.
The Court acknowledged both the additional safety protocols that were immediately implemented, and that it was a very safe production in all other respects".
Before we conclude, we want to acknowledge both the particular institutional privileges that allow us to conduct this work as well as the broader structural challenges that complicate it.
Internationally, the 2006 Berlin Biennial, Of Mice and Men, curated by a team including artist Maurizio Cattelan, managed to acknowledge both the particular history of Berlin and bigger issues about what it means to make art now.
