The phrase "achieve the impression" is correct and usable in written English.
It can be used when discussing the act of creating a specific perception or feeling in others.
Example: "The artist aimed to achieve the impression of tranquility in her landscape painting."
Alternatives: "create the impression" or "convey the impression".
It is, by all accounts, immensely challenging to play, full of intricate changes of tempo and meter demanding the most precise co-ordination to achieve the impression of expressive suppleness and harmonic sleights of hand that Adès appears to be seeking.
Candidates are always picking military audiences when they need to achieve the impression of gravity.
The participants' overall goal was to achieve the impression of a real-world scene as early in the scene construction process as possible.
If you talk to very many people, chances are you won't achieve the impression of a quiet girl.
PAINTING and dancing have this advantage over the other arts, that they are of every country, of all nations, that their language is universally understood, and that they achieve the same impression everywhere," wrote the 18th-century ballet master and dance theorist Jean Georges Noverre in "Lettres sur la Danse et les Ballets".
Character designer and battle visual director Tetsuya Nomura and art director Yusuke Naora strove to achieve this impression through the inclusion of realistically proportioned characters a departure from the super deformed designs used in the previous title.
Sir Richard and his deputies, these people say, routinely make aggressive projections that are rarely achieved, creating the impression that his companies are performing better than they are.
Sir Richard and his deputies, these people say, routinely make aggressive projections that are rarely achieved, creating the impression that his companies are performing better than they are".
How do you need to "show up" to achieve that impression?
Use common sense - you know the impression you want your room to give visitors, so use pictures and paintings that help you achieve that impression.
This study explores the materials (organic and inorganic components) used in the preparation layers of nine Danish Golden Age paintings in order to improve our understanding of the manufacturing processes and to achieve an impression of the degree of variation in the ground and size layers used at the time.
