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The phrase "accompaniment work" is correct and usable in written English.
It can be used in contexts related to music, where it refers to the supportive musical parts that complement a main melody or performance.
Example: "The pianist's accompaniment work added depth to the soloist's performance, enhancing the overall experience for the audience."
Alternatives: "supporting music" or "background music".
Exact(1)
The problems have already started, with vital civil society movements from the Tijuana to Tierra del Fuego struggling to raise money to fund their advocacy and accompaniment work.
Similar(56)
My first dinner was so-so: the "coconut battered mahi-mahi" was tasty, but neither accompaniment worked.
"The musical shape, the architecture of it, the kind of chords, the way the accompaniment works and the voice sits on it, even the subject matter, are remarkably similar".
Accompaniment in work tasks motivates the AN through the interpersonal relationship which allows the AN to feel the support of their supervisor and recognition of their work.
Grace and elegance of musical line characterize his solos, and among his accompaniments, his work in singer Bessie Smith's "Backwater Blues" is especially notable.
The program, with orchestral accompaniment in works by Vivaldi, Brahms, Haydn and Mozart, is at 8 p.m. at the Cathedral of the Incarnation on Cathedral Avenue in Garden City.
In a performance designed by the visual artist Erika Harrsch, butterfly-shaped kites were printed with blown-up images of American currency, a beautiful but melancholy accompaniment to works for flute duet by Mario Diaz de León and Julian Wachner.
But the accompaniments mostly work to the benefit of the star item: in the risotto, tender clams gave sharp counterpoint to the woodsy mushrooms, while crepinettes and raviolinis, filled with ricotta and chives, were simple harmonies to the well-seasoned prime beef.
Webern's Four Songs, Opus 12 (1915–17) and Opus 13 (1914–18), Six Songs (1917 21), Five Sacred Songs (1917 22), Five Canons on Latin Texts (1923 24), Three Folktexts (1924), Three Songs (1925), and Two Songs (1926) are vocal compositions; except Four Songs, which employs piano accompaniment, these works are distinguished by highly original instrumental combinations.
Piano accompaniments in works for string or wind instruments acquired the status of a concerted part.
Monteverdi was a pioneer in transforming the old-style madrigal (a song for multiple voices, one to a part) into the concertato madrigal, with continuo and instrumental accompaniments, elaborate works that blur the distinctions between song and opera.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com