The phrase "accompaniment over" is not correct and does not convey a clear meaning in written English.
It is unclear in what context it could be used, as it lacks a specific subject or verb to provide clarity.
Example: "The accompaniment over the performance was beautifully executed."
Alternatives: "supporting music" or "musical background".
A few days later, "Greed" had its turn as five women evocatively muttered, laughed and sang much of their own accompaniment over an array of coveted decorative objects.
As an accompaniment, over three days the UK's Brodsky Quartet will be performing the complete 15 string quartets that make up the Shostakovich Cycle.
The most touching moments occurred when Mr. Sidlin dispensed with the orchestra at the beginning or end of a movement, turning the accompaniment over to Rita Sloan, playing a tinny-sounding upright piano, presumably à la Terezin.
Yet if, even after all the tinkering, you still find your relish, sauce or compote too standoffish, here's a last-ditch suggestion: use it as a dessert accompaniment served over, say, ice cream or pumpkin pie.
I would practice with my accompaniment tape over and over again, searching for the same synchronicity of my voice and the piano.
(The continuo is a harmonic accompaniment improvised over the written bass line, usually played on a keyboard instrument and a bass viol or other bass melody instrument).
They are made across the eastern Mediterranean and Middle East, with variations in spelling (koofteh in Iran, köfte in Turkey, for example), ingredients and accompaniments evolving over the years.
(The mixing levels are based on personal communication with Gillet, and result into an average of dB drums-to-accompaniment ratio over the whole data set).
He couched the Andante of the Brahms in soft hues that illuminated the score's complex heart, and his readings of Liszt's "Three Petrarch Sonnets" (as well as the Schumann-Liszt "Widmung," offered as his first encore) were shapely and poetic, with lithe top lines sailing over gauzy accompaniments.
Frank Sinatra's voice in "Come Fly with Me" sounded O.K., but the plucked bass notes in the accompaniment spread all over the room, leading me to believe that the Phantoms could not be a high-end speaker.
And as the guitarist Paul Maroon fingerpicked the only accompaniment, echoes drifting over a drone, Mr. Leithauser went on: "Don't worry about me/I got no more baggage/I threw all my old things away".
