Sentence examples for access to instrument from inspiring English sources

Research has suggested that funding cuts to schools have reduced access to instrument tuition for those who cannot afford to pay for private tutors; Department for Education plans to exclude creative subjects, including music from the GCSE curriculum have been denounced by critics as a direct threat to students' engagement with and appreciation of classical music.

"If people don't have access to instruments or music education, they make stuff themselves.

Planning meticulously and forewarning each curator of his intentions, he gained access to instruments, often lying undisplayed in storerooms, which he handled, measured, weighed, photographed, described and drew.

He also dismissed the idea that London needs to spend £278m building a new concert hall, arguing that he would rather see money invested in schools, giving children access to instruments and teachers.

For musicians with wealth behind them, that could mean access to instruments or a van to travel to gigs, the ability to pursue their dream for longer without pay, and a sense of financial security if that dream fails to materialise.

As had happened in the cases of Jared Loughner and Adam Lanza, the attribution of the disaster to mental illness has spurred calls for more thorough mental-health screenings of people seeking access to instruments of mayhem, and for more restrictions on those diagnosed with a mental illness.

While guns and gun control have been a subject of debate among politicians and lawyers and lobbyists and pollsters and political groups in the center and on the fringes, our children have been living in a free-fire zone for sociopaths with virtually unfettered access to instruments of mass murder.

We thank the Stanford Nano Shared Facilities for staff assistance, training, and access to instruments required for this research.

"I had access to instruments I wouldn't have necessarily had access to without them because musical instruments are expensive and there was a way of getting them through the support service.

However, if we limit their access to instruments of terror, they become like so many noobs -- rudderless Level One archers without an arrow in their quiver.

I recall after Katrina a number of people and organizations trying to help impoverished jazz and blues musicians get access to instruments which had disappeared in the storm, to invite them to play around the country while New Orleans rebuilt.