The phrase "acceptance on which" is correct and usable in written English.
It can be used when discussing the basis or foundation of acceptance in a particular context, such as agreements or beliefs.
Example: "The acceptance on which our partnership is built must be clearly defined in the contract."
Alternatives: "basis of acceptance" or "foundation for acceptance".
A document from around the same time, an entry for the year 829 in the Anglo-Saxon Chronicle, refers to the submission of King Eanred of Northumbria to King Egbert of Wessex at the hamlet of Dore (now a suburb of Sheffield): "Egbert led an army against the Northumbrians as far as Dore, where they met him, and offered terms of obedience and subjection, on the acceptance of which they returned home".
Tritely, one rememers the precise spot on which one stood, resisting acceptance and grief.
The use of local labour, bringing money and/or employment into the commune, seems to be the crux on which acceptance is won or withheld, at least in this area.
In his famous essay Fear of a Black President, Ta-Nehisi Coates described it as an "old admonishment" black parents would have to give their children, and lamented it as a necessary lesson on which "acceptance depends".
It is based on "acceptance therapy," which focuses on better understanding of a partner's flaws - a technique described in "Reconcilable Differences" (Guilford Press, 2002), by Dr. Christensen and Neil S. Jacobson.
After his return to Europe, he vigorously defended his interpretation of the fossils, although he was slow in producing a definitive monograph on which unconditional acceptance of the discovery depended.
But convention acceptance speeches are the occasions on which candidates can define themselves as they want: the older Bush took his chance to distance himself from his predecessor (as a "kinder, gentler Republican") and went on to win.
The assimilation we need is civic assimilation, i.e., acceptance of the value system on which our liberal Western civilization is based, including individual freedom, democratic institutions, separation of church and state, etc.
The implicit acceptance of the visual scene on which the new style was based owed something to the example of Courbet, who influenced Renoir in particular in the next few years.
There's something about the fact that Perry adores a beautiful dress and vibrant make-up when it suits him, yet has risen above gasps and phobias to nigh-on mainstream acceptance, which draws admissions of inner "oddness" from all he meets.
