The phrase 'abstraction made of' is correct and usable in written English.
It can be used to describe a concept created or formed from a combination of ideas, objects, thoughts, or substances. For example, "The painting is an abstraction made of blues, grays, and whites."
There are fanciful vine benches at each entrance, a folly (a decorative abstraction made of vines) and an arbor framing a long pathway.
His sculptural works range from temporary installations built with colleagues at the local dump -- spiraling constructions of curly willow, sea lavender and jasmine covered with snow -- to an elegant abstraction made of 645 calla lilies.
Abstraction made of the perversely polemical tracts surrounding the Spinoza dispute and the controversy with Schelling (Jacobi, 1916, 1967), all of them are historically as well as conceptually interesting.
He recently had a solo show of abstractions made of large sheets of copper at the Earl McGrath gallery in Manhattan.
Jerald Ieans's small, sumptuous abstractions made of watercolor and wine are a change of pace, and Nancy Hwang serves drinks at her own single-customer bar (Johnson).
The exhibition includes crusty abstractions made of plaster and papier-mâché; ribald anticonsumerist collages; low-tech furniture and light sculptures; and, best of all, big, colorful, abstract works made of welded-together aluminum patches that mischievously subvert the monumental pretensions of conventional public sculpture.
But the most vivacious works here are the quirky abstractions made of brilliantly colored circles of various sizes, like "Scheveningen Black," an oil painting in which dots and rings, some small and contained in their gridded squares, others big, intensely colored and bursting out of their rigid confinement, form throbbing patchwork quilts of chromatic dazzle.
In the first category are self-portraits, sparse drawings of solitary confinement, abstractions made of cell bars.
It does all this with a lightly worn eloquence, the density of an occasional abstraction made palatable with a peppering of intimate detail.
Of course, as his contemporaries pointed out, one wonders why mathematics should have a role in the investigation of the "real" world if the nature of its abstraction made it distinct from the (concrete) real world.
We therefore selected all charts rather than a random selection, from the largest center (Pitié-Salpêtrière), which provided 155 extra charts for the initial abstraction, making a total of 555.
