"abstracted forms" is a correct and usable phrase in written English.
It can be used to refer to the theoretical or conceptual aspects of something, rather than the concrete or physical. You could use this phrase in a sentence when discussing art, mathematics, or any other subject that involves abstract thinking. For example: "The artist's style is characterized by bold colors and abstracted forms, creating a sense of depth and complexity in his paintings."
"Abstracted Forms," "Breaking the Prairie," and "Fighting with All Our Might" are a few of the groupings that cover trends of the twenties and thirties.
Cut-out wooden panels of abstracted forms over 24 clerestory windows provide an unobtrusive yet restrained decorative touch to this lavish space.
Abstract art was considered a symbol of bourgeois decadence, but Mr. Qian and his fellow artists organized their own unofficial exhibition with work that employed abstracted forms.
By the late 1940s Lewis was using highly abstracted forms in his paintings, but they often still could be discerned as figures (Crossing, 1948).
I frequently find myself in an unsatisfied place – with my own work as much as anyone else's – where I am frustrated by the over-literal nature of most theatre, yet can't connect with more abstracted forms.
The metamorphosis of natural shape into abstracted forms that nevertheless curve and bulge with their own life, a metamorphosis initiated by Picasso, became the international style of the early 1930s.
"Françoise was an independent spirit and an aspiring artist herself, and his drawings of her abstracted form communicate just how forthright she was.
Located atop Barnsdall Park, the Mayan-inspired residence was constructed for the eccentric oil heiress Aline Barnsdall, whose favorite flower, the Hollyhock, appears in abstracted form throughout.
As for her one-woman show, Chazelle doesn't offer more than a phrase or two — except, perhaps, in the abstracted form of a song that Mia delivers at a key moment, one that's all about her aunt.
"Point of Pines" has an especially resonant balance of motif and title, since the diagonals repeatedly meet at a point and suggest a pine tree in highly abstracted form.
As her work developed, however, she found a distinctive approach that combines character study with abstracted form and structure, as in the powerful "Charlotte with Hat," from the late 1960's, and "Giovanni Seated," painted about 1980, with its slabs of color compressed against the picture plane.
