The phrase "abstract vision" is correct and usable in written English.
It can be used to describe a conceptual or theoretical perspective that is not grounded in concrete reality, often in discussions of art, philosophy, or strategic planning.
Example: "The artist's abstract vision challenges viewers to interpret the meaning behind the chaotic colors and shapes on the canvas."
Alternatives: "conceptual perspective" or "theoretical outlook."
There's a sense of cosmic majesty, as if we were observing an abstract vision of the birth and death of the universe.
Mr. Levy has a somewhat grander, if more abstract vision: He believes that bringing a diverse, influential community together will inevitably lead to collaborations that, he says, have the potential to "change the world".
J'aime the railway cars spewing marvellous wisps of steam at the Saint-Lazare station, in the Impressionist paintings at the Musée d'Orsay, where color and light achieve an abstract vision.
Mr. Biesenbach, the museum's chief curator at large, who has worked many times with Mr. Neuner, calls the designer's role one of "double translation," in which he first interprets a curator's sometimes abstract vision of how to present an artist's work to the public and then translates that vision into sheetrock and spotlights.
But in each one of those cases, before Gorbachev made his decision Shevardnadze was an important, if not decisive voice, in the internal debates, urging what were from our point of view the most progressive policies". Mr. Gorbachev, the official added, had a daring but often abstract vision of how the Soviet Union should relate to world affairs.
It's the only way to strike the balance between abstract vision and concrete truth.
COLD SPRING "Abstract Visions" multimedia exhibition by Cindy Booth and Jane Soodalter, and "Echoes of the Earth," ceramic works by Clare Lewis and Rosalind Shaffer.
In the current climate, I'm not sure voters give a stuff about abstract visions for a generation away.
And he conjures up abstract visions of shimmering beauty by effortlessly tossing cylinders filled with glitter rice into the air, creating a sound like waves washing over pebbles.
They created epic, abstract visions of freedom, space, and of the very physical matter of paint and canvas, that brought the leadership of modern art across the Atlantic.
The paper will assess the potential of socio-spatial integration in a "multi-cultural" society through a discussion that reflects on the existing Cosmo City in comparison with more abstract visions of possible post-apartheid urban futures, such as the "African City" debate.
