The phrase "abstract natural" is not a standard or commonly used expression in written English.
It may be used in specific contexts, such as in discussions about art, philosophy, or science, where the juxtaposition of "abstract" and "natural" is relevant.
Example: "The artist's work beautifully blends abstract natural forms, creating a unique visual experience."
Alternatives: "conceptual nature" or "theoretical natural".
More interesting, because more her own, are wall sculptures that take her closer to abstract natural forms.
Drawing on recent work in sociobiology as well as older critiques of abstract natural rights liberalism, Fukuyama writes: "Human beings never existed in a presocial state.
He rejected a priori reasoning in politics, notably claims to abstract natural rights, manifested most dramatically in the French Jacobin dream of destroying and rebuilding society.
Adapting a phenomenological perspective, Nishida argues that the historical world as the most concrete topos of our reality must be the starting point for understanding the more abstract world of life and even more abstract natural world.
The most advanced GUI feature of this tool is the capability provided to the user to define the abstract natural language workflow of the processes via an intuitive drag-and-drop workflow assembling component.
Beki Basch's mountain photos are the most direct representations of nature, but she also abstracts natural objects such as branches.
Using different types of ink to create her liquid landscapes, Susi's hypnotic touch abstracts natural forms, suspending her visuals between growth and decay.
Interpreting Section 101, Courts have consistently held that abstract ideas, natural phenomena, and laws of nature are not eligible for patent protection.
"I am fascinated how the orderly and everyday is rendered abstract by natural or manmade disasters.
The photographs in this series, set in and around a small town in north-east Pennsylvania, are based on stories from local newspapers and oral histories of interactions between humans and animals". "I am fascinated how the orderly and everyday is rendered abstract by natural, or manmade, disasters.
I loved the animations, which filled the stage with mathematical diagrams and fast-moving projections, in white light, of abstract and natural forms — Kentridge had filmed himself, as Papageno the bird-catcher, holding and releasing wonderfully lifelike doves — but there were times when I felt that the visual effects were a distraction from the music.
